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To the People |
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I suppose it depends on what's important to the end user. For me (and I believe a lot of people), utility trumps quality. I'd much rather a cassette sized machine in my pocket that holds my entire collection as opposed to say a suitcase full of CD's I'd need to haul to get the superior quality. |
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leo, are you still offering to dump your ipod video? |
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Rob- If you take me on a cook's tour of Homicide/The Wire Balto you can have my iPod video. Oh, and throw in a shark dinner too. That will only set you back three bucks. |
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throw in some free lesbian porn on the ipod and we have a deal |
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This is stupid. I worked in recording studios in the 80s, and the reference then was a small boombox or a couple of crappy bookshelf speakers. You took the mix to as low a volume as you could and made sure the vocal (or whatever the lead was, but this was six sigma probability a vocal), bass drum, and snare drum could be heard. |
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Sandy's right, and it even goes further than that. In the early and mid 60's, the reference was AM radio sound. The only period where music was sound engineered for "good sound" was the late 60's to late 70's when the reference was a typical home stereo. Jazz and classical were usually referfenced for home stereo listening, but by the late 80's even jazz was getting the "how does it sound in the car" treatment. |
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First of all, you don't have to compress music for the iPod. Personally I use 320kbps MP3 - that's good enough that I can't tell any difference between the original source. And those earbuds? Yeurch. Get some nice canalphones and be done with it. |
Commenting by HaloScan |