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I was listening to Artie Shaw on the way to work this morning. Buddy Rich swings.
As far as country goes, I agree it hasn't swung too much since Bob Wills. Merle Haggerd was able to swing, but he's usually too lazy and for most of his career it's just too hard to swing when you're drunk *and* stoned.
Sluggo |
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07.28.05 - 11:22 am | #
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Swing doesn't have a hard beat. It has a strong flow. Louis Armstrong may have said that but no matter...It speaks for me.
ljmcinnis |
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07.29.05 - 1:05 pm | #
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Not only that -- but where's the joy? In today's music, does anything good ever happen?
irishlass |
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08.02.05 - 2:02 am | #
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Have you ever listened to the 30s-40s swing guitarist Oscar Aleman?
Remarkable stuff.
dearieme |
08.11.05 - 7:46 am | #
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Oscar Aleman:
In 1939, jazz critic Leonard Feather visited Paris. He returned to America raving about his new "discovery" and stated, "Aleman has more swing than any other guitarist on the continent."
Spear Shaker |
08.13.05 - 12:01 am | #
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I think the quality you define as "swing" is the randomness that is often quantized out of much of experience these days... music that saunters and insinuates and withholds and requires the listener to fill in the blanks is the exception these days... look at a swing-ish music like reggae, which has been one of the most influential and vital forms of music in recent decades; there are currently almost no actual practitioners of that form of music left in the country from which it originated; if you are young and want to escape the streets of Jamaica today you make dancehall, which is a cheesy, speeded up and commercialized hybrid of reggae and house music that perfectly illustrates how the global consumer culture narrows experience and has no use for the wobbly, offbeat and ultimately human music from which it originated...
To my ears though, its not just a lack of swing that is missing in so much of contemporary music... its that its SO deadeningly "unfresh" and people are so afraid to try truly new things... unfortunately stimulating the brain via the ears is one of those processes that requires new approaches constantly or the ear tires of it... as animals, our hearing functions on a primal level to alert us when something sounds different in the bushes that might attack us... and thats how I feel when I turn on the stereo.. if it doesnt sound like a new and different animal I'm not interested... to my ears what the current generation is missing is freedom of the imagination; even sophisticated, competent and accomplished younger artists think that art is mostly pastiche or a strategy... that if you know the right references and put them together then you have an approach that works... of course thats the path to hell, but most record shops are full of records which are supposed to sound new but are beyond DOA... I also think that the really interesting younger people arent going into music anymore... in 1969 or 1977 most of the interesting kids were into music on some level and it drew innovative minds and sensibilities... these days music is so easy to like and so pervasive in the culture that if you want to make your own little world I think you might be doing something else... but the great thing about pop culture is that if you stick around long enough something usually comes along... the key is keeping expectations VERY low and being on the lookout for innovation where you might least expect it!
mister wells |
08.13.05 - 9:37 pm | #
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Mister Wells:
Very interesting comments. I used to be a large consumer of reggae music in the 70s, Marley, Tosh, Wailer, Cliff, Toots, et al. Tosh in particular was my favorite. But to your point, it has simply dried up.
Spear Shaker |
08.15.05 - 12:30 am | #
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